New Viewings #36

Curated by Daniel Muzyczuk

Susan Howe and
David Grubbs

Susan Howe, *1937 in Boston, USA
lives and works in Guilford, USA

David Grubbs, *1967 in Louisville, USA
lives and works in New York, USA

8 available works
on this platform

The gallery is filled with the first 7 pages of one of a new collage poem entitled „Concordance“. Susan Howe is cutting through books of poetry and fields guides to birds, flora and geology. Concordances are books composed of alphabetical lists of words used in the works of a particular author. It is making scanning easier. The recent edition of this work features also a longer prose poem entitled „Since“. It offers insight into the working process that is at the foundation of „Concordance“. It features fragments devoted to the main instrument – the scissors that enable a recomposition of the preexisting material. However many passages are also touching upon the act of reading of these fragmented passages: „In order to facilitate phonetic interpretation I will make up my mouth as if it’s a telegram”.

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Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Works Susan Howe and David Grubbs

Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

Concordance, 2019 (2019)
A limited edition book of collage poems
70 pages plus separate chapbook
Printed on Somerset and handmade Whatman in an edition of 46
21,9 x 15,88 cm
950 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

From the book „Concordance“ (2019)
(The Grenfell Press)
Page 31
Letterpress on paper
22 x 16 cm
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

From the book „Concordance“ (2019)
(The Grenfell Press)
Page 32
Letterpress on paper
22 x 16 cm
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

From the book „Concordance“ (2019)
(The Grenfell Press)
Page 33
Letterpress on paper
22 x 16 cm
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

From the book „Concordance“ (2019)
(The Grenfell Press)
Page 34
Letterpress on paper
22 x 16 cm
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

From the book „Concordance“ (2019)
(The Grenfell Press)
Page 35
Letterpress on paper
22 x 16 cm
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

From the book „Concordance“ (2019)
(The Grenfell Press)
Page 36
Letterpress on paper
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Susan Howe and David Grubbs

From the book „Concordance“ (2019)
(The Grenfell Press)
Page 37
Letterpress on paper
22 x 16 cm
More works by this artist

Ivan Seal

Ivan Seal, *1973 in Stockport, Great Britain
lives and works in Berlin

5 available works
on this platform

The process started with a questionnaire. I was asked to reply to certain words with images. These, I believe, became the basis for the 5 paintings, or at least their titles. The images have a striking ability to present memory residues as objects. Their location is not given as they are set in a generic background that looks like a surface material used in object photography. Indeed the paintings are yet another reply to that everlasting question: „What should painting do once the photography was discovered?” By using background as a trope it gives the right answer to the wrong question. These clumps of matter have no use, yet they appeal. Their generated non-word titles perform a similar work. They look like they are legible yet the sight is simply left on their surface with some associations. They appear nonsensical. However both words and things are executed in a methodical manner that is inhuman even if it is created by a human being. This complex set of givens brings to non-life the word-thing combinations.

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Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Works Ivan Seal

Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Ivan Seal

dikort (2021)
Oil on canvas
60 x 55 cm
8.500 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Ivan Seal

volvincerts sneablathes (2021)
Oil on canvas
60 x 55 cm
8.500 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Ivan Seal

idjeotovship (2021)
Oil on canvas
60 x 50 cm
8.500 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Ivan Seal

gost, 2021 (2021)
Oil on canvas
50 x 40 cm
7.600 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Ivan Seal

dreanor eemleen deferts (2021)
Oil on canvas
60 x 55 cm
8.500 EUR incl. VAT
More works by this artist

Tomasz Kowalski

Tomasz Kowalski, *1984 in Szczebrzeszyn, Poland
lives and works in Antwerp, Belgium

7 available works
on this platform

Contrary to the other artists works in this cycle, the pieces of Tomasz Kowalski are made of stories. Even if they are simply leftovers and remains of a narrative, they are full of human beings that are active. They appear in the world that is made of optical devices. Eyes, mirrors, glasses, lens, binoculars, viewfinders, water drops, tears. The yellow work with the hole that opens a view to another scene is placing the viewer in a lookout post. There is an etymological connection between speculation and specula, a latin word that denotes this position. There is an obvious relation between seeing and knowing. However the connection to speculation might suggest something else. That the act of looking is also an ever changing operation that might include oneiric effects altering the sight.

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Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Works Tomasz Kowalski

Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Tomasz Kowalski

Untitled, 2021 (2021)
Gouache, pencil on paper
30,7 x 43,2 cm
4.000 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Tomasz Kowalski

Untitled (2021)
Gouache, ink on paper
43,2 x 61,5 cm
5.700 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Tomasz Kowalski

Pejzaż z płaszczyznami (2021)
Gouache, Pencil on Paper
43,2 x 61,5 cm
5.700 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Tomasz Kowalski

Empty eggs and numbers (2021)
Gouache, ink on paper
43,2 x 61,5 cm
5.700 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Tomasz Kowalski

Untitled (2021)
Ink on Paper
61,4 x 43,1 cm
5.700 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Tomasz Kowalski

Trickster (2021)
Gouache, oil on dyed canvas
82 x 142 cm
16.700 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Tomasz Kowalski

Untitled (2021)
Gouache, pencil on paper
43,1 x 61,5 cm
5.700 EUR incl. VAT
More works by this artist

Barbara Kinga Majewska

Barbara Kinga Majewska, *1982 in Warsaw, Poland
lives and works in Warsaw, Poland

2 available works
on this platform

The previous parts of this cycle presented different possible configurations of the relations of things and words. There was only a word chapter. Kowalski speculated with only things, while Seal presented the full excess of both. The time is high to present the absence of both. The majestic object that Majewska hangs on the wall is a banderole – a method of introduction of singing and specifically lyrics in old art. The angelic choirs would be nothing without the suggestion of sound. This one is erased leaving the immaterial element of narration as a weighty metal twirl. The wordless voice performs the melody of a classic ear worm – „Words Don’t Come Easy”. How can words slip away from the grip when the sensation of lack thereof is expressed with words? The paradox of the song is that it is sung in a speechless form.

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Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Works Barbara Kinga Majewska

Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Barbara Kinga Majewska

come easy (2021)
Painted aluminium
380 x 270 x 90 cm
5.300 EUR incl. VAT
More works by this artist
Galerie Barbara Thumm \ New Viewings #36 \ Ivan Seal

Barbara Kinga Majewska

Reading the World of a Song in the Eyes (2021)
Complete test with key (36 sheets)
Print on paper
21 x 29,7 cm
Edition of 5 + 1 AP
1.100 EUR incl. VAT
More works by this artist